James gandolfini julia louis dreyfus series#
James gandolfini julia louis dreyfus tv#

Additionally, both of them look forward to the process of cultivating a new hobby in lieu of everyday parenting. Evan eventually grows to accept the upsides of aging, citing that she finds the companionship of midlife with Albert to be comforting and sexually gratifying. Eva asks Albert about his thoughts on 'fake' breasts, and in an endearingly awkward sequence, during a breakfast together at his home, she informs him that his penis is inadvertently showing through his pajama pants fly. There is a transparency between the two about visual appearance and sex. They express or comment on mild observations that are not groundbreaking in hindsight, but demonstrate a relieving quality of being able to be open in a relationship. While their honesty can make them curmudgeonly on one hand, it simultaneously gives their relationship a breath of fresh air, and one that gives hope for their romance in the long term. On the flip side, entering their 50s shows some promise for Eva and Albert. It's not as if they are bad people, but it signals a misguided attempt in dealing with their own midlife crises.

Bluntness is refreshing for the two characters, but it ultimately casts them as curmudgeons. This leads to Albert proclaiming, 'I find that I don't like younger people.' When spending time together, Eva and Albert draw out the honesty in each other in their second-guessing about matters of the world. During dinner, Eva is frustrated when a busboy denies her request for the music playing over the restaurant to be turned down. He even decries against consumer culture when reference his ex-wife's and daughter's frequent trips to The Container Store.

James gandolfini julia louis dreyfus tv#

On their first date, Albert, who works as a museum curator of classic television, goes on a mild rant about the low-brow quality of contemporary TV programming, specifically citing the trashiness of reality shows.

Holofcener's film explores the murkiness of middle-age bluntly by depicting characters who express frustration about the world and younger generations. When a parent spends 18 years dedicating their life to raising a child, they may lose in touch with themselves as human beings. This is naturally an expected time to begin an introspective on one's life. Eva and Albert are soon-to-be empty nesters, as both of their respective kids are heading off to college. Lacking direction and the mystery of the future is at the core of Enough Said. He is totally natural as an everyday man who is in a state of ambivalence in his middle years. Especially in the case of Gandolfini's casting, it does not manifest as a piece of stunt casting to place the gruff and tough-guy image of him within the framework of a rom-com. The two seemingly play versions of Elaine and Tony that are past their prime, and are forced to overcome their own cynical views of the world that were present in Seinfeld and The Sopranos. However, a proper reading of the film interpreting their characters in Enough Said as comments on their small screen persona exists. Of course, it is not Elaine Benes and Tony Soprano on screen together.

James gandolfini julia louis dreyfus series#

Anyone who loved their respective series ought to watch them elevate a simple-premised film into something with a little more ethos. RELATED: The Most Exciting Female Directors Working TodayĪt the very least, Enough Said is worthy of a viewing just to see two acting giants and legends of television in Louis-Dreyfus and the late Gandolfini banter with each other.